After a bit of a delay, The Workshop Podcast returns with a festive holiday episode full of cheer! We talk fall and Thanksgiving foods both strange and familiar and then launch into an extended discussion about community: what does it mean and how can we achieve it better?
COFFEE! DO YOU LIKE COFFEE? WE LIKE COFFEE. We talk *a lot* about coffee in this episode. We also premiere a new segment which may or may not become semi-regular called “Coffee Drank” in which we review various bottled and canned coffee substances that are probably not that good to begin with.
One year ago today Nintendo pulled back the veil on project NX which was revealed to be a hybrid home/portable console called Nintendo Switch.
I was instantly impressed by the concept and how well the original trailer showed it off. After being down on Nintendo in the Wii era, I came back to the company with the Wii U, a console with excellent games but a terrible ecosystem. The Wii U ultimately didn’t do enough to distinguish itself from the original Wii or Microsoft and Sony’s consoles and failed. Nintendo badly needed a win with their next device and the Switch looked promising.
Now here we are 7 months out from the system’s launch. The Switch remains the most interesting and exciting game consoles in years.
I exhaustively catalogued my thoughts on the Switch in a review earlier this year. Since then quite a few fantastic games have premiered or been ported to the system and some system updates have dropped.
I have mostly good things to say about the Switch. The library of games has been absolutely fantastic for the first year of a console. Zelda and Mario Kart led the way with a host of unique, mostly high-quality indie games filling in the gaps between major releases.
Although Splatoon and ARMS weren’t my thing, they were both new, exciting franchises that took advantage of Nintendo’s unique strengths in hardware and software development.
Mario + Rabbids Kingdom Battle went from being the subject of ridicule when it was leaked earlier this year to being an incredibly (critically and commercially) successful merger of Mario, Rabbids, and turn-based strategy puzzling.
Recently there have been some indie heavy-hitter making their debut on Switch like Axiom Verge, Golf Story, and Steamworld Dig 2. And much to my surprise, I am once again finding myself enthralled with Stardew Valley now that it’s available portably.
Super Mario Odyssey, one of the most anticipated games of the year, launches next week. Despite how incredible Breath of the Wild was, Mario Odyssey looks like it could be even better and most certainly will be a system-selling game.
Also of note: you can actually buy a Switch now without too much trouble. I expect the holiday rush will find them going out of stock again (especially post-Mario launch).
Just yesterday, the 4.0 system update dropped with a new video capture feature and a system transfer feature. The video capture is so far limited to 30 second clips and only in certain games that support the feature. but it’s kind of crazy that such a feature even exists on a portable machine.
4.0 also enables support for wireless Bluetooth headphones and headsets which gives hope that voice chat might be integrated directly in the system in the future rather than relegated to a smartphone app.
The Switch remains a fairly barebones system outside of playing games. For me, that’s mostly fine. I don’t need a web browser, Netflix, or YouTube. I have that everywhere else. But other features found on Xbox, Playstation, and Steam like cloud saves and a more robust storefront would be welcome additions.
Virtual Console is still nowhere to be found. I was annoyed, actually, when Nintendo announced the SNES Classic Edition, a followup to last year’s hot NES Classic Edition which was infamously hard to get due to low stock. These mini-consoles feature some of Nintendo’s most beloved classic games – games I would love to play on Switch – not some stupid box tethered to my TV with too-short cords.
The only thing Nintendo has said about classic games on Switch is that some amount of them will be available with their paid online service. Unfortunately, they’ve delayed the launch of that service and Nintendo’s past online service offerings do little to inspire confidence that they will get things right when it does launch.
I haven’t had any hardware issues aside from the left Joycon connectivity issue at launch which Nintendo fixed quickly for free. But I will say that when playing portably the system can be a bit creaky. While my Joycon are still firmly attached to the side of tablet, there’s just a little wiggle to them that I hate. It’s never been a problem. I just wish the attachments felt a little more solid, especially when playing more intense games.
The Switch’s online app came out for smartphones over the summer. Meant to connect players in online gaming sessions and allow for voice chat in the most backward way possible, it lived up to the legacy of Nintendo really not getting the internet.
The aging 3DS is still hanging on with notable Metroid, Mario & Luigi, and Pokemon remakes all coming out in the latter half of this year. The Switch will almost certainly never sell as well as Nintendo’s cheaper portable platforms of the past and such a large install base means more potential game sales for any given title on that platform. It’s unlikely that Nintendo will totally stop making games for 3DS as long as there’s enough profit there. But it’s hard to imagine a world in which Nintendo releases a 3DS successor. One way or another the Switch will supplant it despite the number of 3DSes sold.
Switch sales have been very promising though and industry reaction is positive. That is great news for indie games and third-party games coming to the system. It also sounds like Nintendo is soliciting a diverse selection of games for their console including the sort of hardcore western games that generally don’t appear on Nintendo’s platforms.
One year ago, nobody would have ever guessed that DOOM (2016) would come to Nintendo’s next console, but there it is alongside Skyrim, L.A. Noire, and Wolfenstein II – all third party games coming to the system soon. Personally I don’t really care to play any of these on Switch, but it’s great to see that support. Third party games like FIFA and NBA 2K are more important for mass appeal of the platform. Fortunately both of those are reportedly solid ports.
The Switch has become my go-to platform for most kinds of indie games. Given the choice between sitting at my desk, on my couch, or lying on my back to play a game, I’m going to choose that last option. Playing games is one of the ways I relax and sitting at my desk at home after sitting at a desk all day at work isn’t nearly as attractive.
Nintendo itself has announced a number first party games coming in the future. Franky none of them are as exciting as Zelda or Mario – not yet, anyway – but a system this successful is much more likely to have the full weight of Nintendo’s game studios behind it. And that’s very exciting given the stellar games we’ve been seeing in recent years.
Back on the Wii U, Nintendo’s gems were hidden behind bad marketing and a confusing system. With the Switch, Nintendo is once again making a console people actually want to buy and games that are even better.
Fall has fallen. We talk about typical fall things like pumpkin spice lattes, football and Halloween.
We touch on the NFL kneeling controversy, but this episode was recorded weeks ago before a lot of social media bickering picked up. Sorry if you’re tired of hearing about it! It doesn’t last long.
Be sure and stay tuned for a special dollop of stupid fun toward the end of the show!
Fresh off our worst episode comes… a better one. Hopefully.
I got engaged recently so there’s talk of that on this episode. I supposed this is the “public” announcement of that unless you define Facebook announcements as “public” and I think everybody does these days. So this is the announcement for anyone listening to this show who doesn’t happen to know me in real life. I assume there’s nobody in that category.
And speaking of announcements, we also make incorrect predictions about the iPhone X since we recorded one day before the Apple event. It’s less serious tech prediction and more riffing about Apple and smartphones in general though.
Sometimes we go to record an episode of The Workshop podcast thinking we’ve got plenty of topics. And sometimes we proceed talking like there’s not actually anyone listening and just have meandering conversations that probably only interest us. That’s what happened here. I cut a lot of the most meandering stuff out and as a consequence this is (mercifully) our shortest episode in addition to maybe our worst! It’s all smooth sailing from here, right?
Join us if you dare as we engage in random chatter, self-absorbed navel gazing about our own show, and finally just give up and go through a stupid and terrible list of things millennials have supposedly killed.
Star Trek is ostensibly the kind of thing I should be really into. It’s nerdy, detail-driven science fiction more focused on ideas than action. It presents opportunities for a vast array of plots, characters, settings, and themes to be presented and explored. Reportedly, it has done those things and frequently done a good job.
But I can’t get into it. I’ve never been able to.
Every time I’ve tried to watch a Star Trek TV series I’ve come away with no desire to continue after an episode or two. The shows in actuality seem slow, boring, dumb, and inconsistent.
I like three pieces of Star Trek fiction I have seen: The Wrath of Khan, Star Trek (2009), and The Next Generation episode “The Best of Both Worlds.” Everything else has bored me or insulted my intelligence.
But Star Trek is such a mainstay of culture and especially nerd culture that I keep coming back to the idea of trying to watch it. And now, with the return of Star Trek to television (sort of), I figure this is as good a time as any to do a little experiment.
I am going to watch the pilot or first episode of each Star Trek series to see if any grab me this time around. Even if the actual episodes are still boring, comparing the different series of this vast and long running franchise should make for an fascinating trip through some television history.
The Original Series
As the oldest Star Trek show, this one has aged the worst in many ways. The style and culture of the 60s are dripping from it. It’s colorful, boisterous, and self-assured. Despite being incredibly progressive with a diverse cast for its time, there’s still a palpable air of 60s misogyny about it.
Looking at Star Trek with entirely modern sensibilities is probably wildly unfair. Clearly the show is special for its lasting impact and for the strides it did make in being more inclusive of minorities and other nationalities which is particularly notable in the midst of the civil rights movement and the Cold War. Its probably fairly sophisticated for 60s TV as well.
A simple Google search of “1960s TV dramas” returns a list of names that are only vaguely recognizable to this millennial. I’ve heard of Perry Mason, The Avengers (a British spy show, not Marvels superhero team), The Wild Wild West, and Adam-12, but haven’t seen so much as a single clip from any of them. Other shows from the time like Mission Impossible, The Twilight Zone, and The Man from U.N.C.L.E. have all had recent reincarnations (or lasting influence on other series in the case of Twilight Zone). But none of those have had the staying power of Star Trek. None of them turned into a massive TV and film franchise on that level.
Finding the “first” or “pilot” episode of The Original Series (TOS) is a bit tricky. Technically “The Cage” is the original pilot of Star Trek. It was rejected for being “too cerebral” which makes me kind of curious to watch it. I’m dubious about what “too cerebral” meant back then.
Even so, “The Cage” is listed on Netflix as the first episode of Star Trek which I have to imagine confuses a lot of people looking to experience the earliest adventures of Kirk and Spock. Kirk does not appear in that episode. The original protagonist of Star Trek was Captain Christopher Pike, but after the rejection of this pilot, the actor who played Pike dropped out.
Lucille Ball (of I Love Lucy fame) who ran the studio where Star Trek was produced liked Gene Roddenberry, the show’s creator, and convinced the network to give Trek another chance at life. William Shatner came aboard to play Captain James T. Kirk, the new lead character for the series’ second pilot “Where No Man Has Gone Before.”
I thought about watching that episode instead since it’s the one that got the show greenlit. I actually did watch about 20 minutes before I got sick of the dumb ESP-related plot. Then I decided to view what’s broadly considered to be the “first” episode instead.
“The Man Trap”
“The Man Trap” was the broadcast debut of Star Trek way back in September of ’66. It features much of what’s iconic about the Original Series: the Enterprise, beaming, expendable crewmen (eventually known as “red shirts”), sick bay, strange aliens, and of course its memorable cast of characters (although Scotty and Chekov were still absent and Sulu wasn’t on the bridge just yet.)
This episode strikes me as pretty typical of the Original Series. There’s a strange, alien happening at the beginning of the episode which the characters gradually unravel through the rest of the runtime concluding with a fistfight or speech or both.
One thing that’s extremely out of step with modern television is a lack of setup. “The Man Trap” doesn’t do anything special to introduce us to the characters or the concept of the show. The only explanation we’re given is the famous opening monologue that was present in every episode.
Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.
Though I am no Trekkie, I could have written that from memory. It’s another iconic piece of the show.
In this episode, Kirk, Dr. Leonard “Bones” McCoy, and the obligatory expendable crewman beam down to a planet to conduct a routine medical checkup of researchers Nancy and Robert Crater. Bones has a special interest in this mission as he used to be romantically involved with Nancy.
The mission goes awry when the crewman ends up dead. Kirk, Spock, and Bones launch an investigation. They eventually discover that a shapeshifting alien disguised itself as Nancy and then several Enterprise crew members in a fight for survival. The creature is the last of its kind, but eventually they are forced to kill it after it threatens the lives of several crew members and Kirk himself.
The plot itself is relatively uninteresting. I think it could have been more compelling to watch if the show had been directed differently. The audience knows far more than the characters know. We’re shown early on that the alien presents itself differently to Bones, Kirk, and the doomed crewman so we know something’s up. We aren’t solving a mystery with our characters, we’re waiting for them to catch up to what we already know. The director’s already showed us the answer.
That’s a recipe for suspense rather than mystery, but I don’t think the suspense works for a modern audience. It’s hard to be truly concerned about the fate of any of these characters. We know Kirk, Bones, and Spock are all going to be fine though I supposed the original audience wouldn’t have the same assurance. It’s also become a well-known cliche that Star Trek would kill off otherwise unimportant crew members to heighten the stakes. Knowing this does a lot to dispel the illusion of danger. You can see the scriptwriter pulling the strings all too clearly.
Regardless, the first half of the episode mostly works. It’s a decent setup and there’s ample opportunity for the leads to interact and show off their character traits.
Kirk is a confident, charismatic leader who’s much less brash than pop culture’s collective memory has lead to me believe (granted, this is a tiny sample size). Bones is a soft-hearted, down-to-earth kind of guy. Spock demonstrates his perceptive intelligence and, of course, lack of overt emotion.
The episode falls apart in the second half, however.
There’s a hamfisted “moral” to the story. After being questioned, Robert Crater reveals that he’s known about the alien creature. It killed the real Nancy years ago, but since it was the last of its kind, he spared its life. He was content to let the creature play the part of Nancy as the next best thing. That’s super weird and creepy. Fortunately we aren’t given much time to think about that before Crater draws an absurd parallel between the creature and the buffalo.
This is really funny now. The concept of species extinction must not have been commonly known because the word “extinct” is never used. The show literally has to explain it to the audience and thus to the “enlightened” 23rd century crew. You’d think explorers might understand that already.
It doesn’t work as a parallel either. Buffalo (by which they mean American bison) aren’t extinct although it’s true that they were nearly hunted to extinction. It’s a touchpoint for the show’s audience, not for the show’s characters.
I guess there’s supposed to be a message about conservation or something in there? It feels incredibly tacked on. Still, this was an example of how Star Trek would at least attempt to highlight social, political, and environmental concerns even if it didn’t always work.
It’s also frustrating to watch our lead characters slowly catch on to what we already know. There’s a good scene where the ship’s officers are discussing what to do about the creature onboard and how they can find it. The creature is present at the meeting disguised as Bones. The real McCoy (ha!) was lured to sleep earlier by the alien in disguise as Nancy. I thought Kirk was catching on to fake Dr. McCoy in this scene. They kept cutting to his and Spock’s faces like they might know what’s up and I thought he was baiting the creature into revealing itself which would have been really clever.
Actually, Kirk behaves rather stupidly in the end. Spock is assaulted by the creature. He tells Kirk that the alien was disguised as Bones. Kirk rushes to Dr. McCoy’s quarters knowing that he’s likely to find the creature there. Like a moron, he goes with no backup (not even a red shirt) and he nearly gets killed because of it. He only lives because Spock conveniently shows up at the last second.
There are plenty of other silly details too. While it makes sense for a starship captain to lead the away team on diplomatic missions, it’s pretty silly that Kirk beams down with Bones and the crewman at the beginning for this “routine” medical mission. It would set a precedent for things to come – high-ranking officers regularly getting involved in mundane tasks that would spin out into larger adventures.
Given that this was a TV show, I’m impressed by the effects for the time. Just two years later, 2001: A Space Odyssey would blow away everything that had come before it in terms of convincing space travel special effects. But TV has a much more constrained budget than feature films – especially features by high-profile directors like Stanley Kubrick.
I hesitate to call the acting outright bad. It’s certainly dated. Sure, some of it seems outright poor. But acting sensibilities have changed a lot. Dramatic acting today tends to be a lot more naturalistic and subtle. I don’t think they were going for that back then.
Nevertheless, I like the lead actors in their roles. Nimoy is great and judging by this episode, he was great as Spock from the very start. DeForest Kelley is charming as Dr. McCoy which goes a long way for a character that seemed to provide so much of the show’s soul and humanity.
Whether William Shatner can act is somewhat controversial. I’ll simply say that he seems well cast and comes off as capable, and charismatic apart from the dumb decisions at the end of the episode. I like him in the role.
According to contemporary retrospectives, “The Man Trap” is one of the worst episodes of The Original Series. Dull and pointless as it was, I can still see why Star Trek became beloved. The Kirk/Spock/Bones dynamic really does work and, like I said at the outset, the concept of the show allows for all kinds of plots, characters, and themes to be explored.
If it’s true that most of TOS is better than this, I may give select episodes a watch, but I have no intention of going front-to-back through the show.
Unlike later series, TOS doesn’t have a ton of continuity to keep up with. I think its more episodic approach will allow me to pop in and out of the series at virtually any point and not be lost.
The episodic approach is a double-edged sword. On one hand, shows that don’t leverage continuity can feel weightless without significant consequences from one episode to the next or one season to the next. On the other hand, the serial approach necessitates viewers wade through most, if not all the previous canon, to get the most out of the show. That’s a high barrier to entry. We’ll talk about that next time.