While it’s not quite as genre-transcendent as The Dark Knight and not quite so emotionally resonant as Spider-man 2, Wonder Woman‘s a well above average superhero movie. The film manages to be thematically satisfying while also ticking all the usual superhero movie boxes. There’s a finely-tuned balance between humor and sobriety; action and character development. Oh, and there’s villain that actually works.

Wonder Woman is the DC Extended Universe’s first good movie. We’ve previously experienced the disappointing, sometimes laughable, sometimes lamentable Man of Steel, Batman v. Superman: Dawn of Justice, and Suicide Squad. I guess fourth time’s the charm?

On the other side, we’ve got the Marvel Cinematic Universe sitting at 15 films (it’ll be 16 in July with the release of Spider-Man: Homecoming and 17 with Thor: Ragnarok in November). I like the Marvel movies less than your average person, but I’d say about 5 of them are pretty good. The rest are mostly competent if uninteresting to me personally.

What’s interesting is the different ways these studios (and I supposed comic book publishing houses before that) have approached their craft.

The Marvel film empire has found success from entirely competent films, but rarely good films. There’s not a lot of depth in your average Marvel Cinematic Universe movie. Lots of times they function more as extended trailers for the next film in the franchise. But they get away with it over and over and over.

Marvel’s secret is likable characters. Not necessarily deep characters. Not challenging, complex characters, but really likable ones. I didn’t even realize how much I liked these characters at first, but they kept me coming back despite often being disappointed by the movies built around them.

DC, conversely, has done a notoriously bad job with its characters beginning with the absolute butchery of Superman in Man of Steel. And I think that’s the main and perhaps only real problem of DC’s films before Wonder Woman. Audiences forgive all kinds of ills if they are presented with likable characters to follow.

DC has been criticized widely for being dark, brooding, and generally lacking in fun. I would say last year’s Batman v. Superman was the height (or the low point) of this. It left me impressed by the visuals, but utterly cold otherwise. It presented a world not worth saving and superheroes who didn’t seem to believe in much of anything. None of them were likable (with the exception of Wonder Woman’s cameo – but she was hardly a developed character in that movie.)

While DC lacks in characters, there is a certain ambition on display in these films – a visionary flair. There’s a grandiose air about them. They skew closer to myth than Marvel’s utilitarian filmmaking.

DC movies desperately want to be About Something. This has lead to grander and more spectacular failure, of course, but you can’t deny the effort. There’s real vision and passion behind the messy final products.

Marvel’s lack of ideas and themes really bores me. Those movies don’t say much of anything about the world, human nature, history, politics, science, spirituality, or even about the heroes themselves. And on rare occasion that a Marvel movie does contain thematic elements (like the surveillance state in Captain America: The Winter Soldier or artificial intelligence in Avengers: Age of Ultron), they’re never developed, never fully formed thoughts.

Sure, sometimes it’s nice see a piece of escapist fiction that doesn’t remind you of real life. But I think it’s cowardly and disingenuous to keep making movies ostensibly about heroes doing good in the world if you’re never saying anything about the world.

Wonder Woman is comparatively a poignant statement about human nature while also being entertaining mythmaking. This film shows that likable characters and interwoven thematic content in a superhero movie works extremely well. I hope we see more like this.