Survey of Star Trek – Part 1: Intro & The Original Series

Star Trek is ostensibly the kind of thing I should be really into. It’s nerdy, detail-driven science fiction more focused on ideas than action. It presents opportunities for a vast array of plots, characters, settings, and themes to be presented and explored. Reportedly, it has done those things and frequently done a good job.

But I can’t get into it. I’ve never been able to.

Every time I’ve tried to watch a Star Trek TV series I’ve come away with no desire to continue after an episode or two. The shows in actuality seem slow, boring, dumb, and inconsistent.

I like three pieces of Star Trek fiction I have seen: The Wrath of Khan, Star Trek (2009), and The Next Generation episode “The Best of Both Worlds.” Everything else has bored me or insulted my intelligence.

But Star Trek is such a mainstay of culture and especially nerd culture that I keep coming back to the idea of trying to watch it. And now, with the return of Star Trek to television (sort of), I figure this is as good a time as any to do a little experiment.

I am going to watch the pilot or first episode of each Star Trek series to see if any grab me this time around. Even if the actual episodes are still boring, comparing the different series of this vast and long running franchise should make for an fascinating trip through some television history.

The Original Series

As the oldest Star Trek show, this one has aged the worst in many ways. The style and culture of the 60s are dripping from it. It’s colorful, boisterous, and self-assured. Despite being incredibly progressive with a diverse cast for its time, there’s still a palpable air of 60s misogyny about it.

Looking at Star Trek with entirely modern sensibilities is probably wildly unfair. Clearly the show is special for its lasting impact and for the strides it did make in being more inclusive of minorities and other nationalities which is particularly notable in the midst of the civil rights movement and the Cold War. Its probably fairly sophisticated for 60s TV as well.

A simple Google search of “1960s TV dramas” returns a list of names that are only vaguely recognizable to this millennial. I’ve heard of Perry Mason, The Avengers (a British spy show, not Marvels superhero team), The Wild Wild West, and Adam-12, but haven’t seen so much as a single clip from any of them. Other shows from the time like Mission Impossible, The Twilight Zone, and The Man from U.N.C.L.E. have all had recent reincarnations (or lasting influence on other series in the case of Twilight Zone). But none of those have had the staying power of Star Trek. None of them turned into a massive TV and film franchise on that level.

Finding the “first” or “pilot” episode of The Original Series (TOS) is a bit tricky. Technically “The Cage” is the original pilot of Star Trek. It was rejected for being “too cerebral” which makes me kind of curious to watch it. I’m dubious about what “too cerebral” meant back then.

Even so, “The Cage” is listed on Netflix as the first episode of Star Trek which I have to imagine confuses a lot of people looking to experience the earliest adventures of Kirk and Spock. Kirk does not appear in that episode. The original protagonist of Star Trek was Captain Christopher Pike, but after the rejection of this pilot, the actor who played Pike dropped out.

Lucille Ball (of I Love Lucy fame) who ran the studio where Star Trek was produced liked Gene Roddenberry, the show’s creator, and convinced the network to give Trek another chance at life. William Shatner came aboard to play Captain James T. Kirk, the new lead character for the series’ second pilot “Where No Man Has Gone Before.”

I thought about watching that episode instead since it’s the one that got the show greenlit. I actually did watch about 20 minutes before I got sick of the dumb ESP-related plot. Then I decided to view what’s broadly considered to be the “first” episode instead.

“The Man Trap”

People like to point out how Star Trek predicted cell phones. Pssh. Kirk’s got a lame old flip phone there. Get with the times, Jim!

“The Man Trap” was the broadcast debut of Star Trek way back in September of ’66. It features much of what’s iconic about the Original Series: the Enterprise, beaming, expendable crewmen (eventually known as “red shirts”), sick bay, strange aliens, and of course its memorable cast of characters (although Scotty and Chekov were still absent and Sulu wasn’t on the bridge just yet.)

This episode strikes me as pretty typical of the Original Series. There’s a strange, alien happening at the beginning of the episode which the characters gradually unravel through the rest of the runtime concluding with a fistfight or speech or both.

One thing that’s extremely out of step with modern television is a lack of setup. “The Man Trap” doesn’t do anything special to introduce us to the characters or the concept of the show. The only explanation we’re given is the famous opening monologue that was present in every episode.

Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Though I am no Trekkie, I could have written that from memory. It’s another iconic piece of the show.

No matter how dorky the show might be, the Enterprise is still a cool spaceship

In this episode, Kirk, Dr. Leonard “Bones” McCoy, and the obligatory expendable crewman beam down to a planet to conduct a routine medical checkup of researchers Nancy and Robert Crater. Bones has a special interest in this mission as he used to be romantically involved with Nancy.

The mission goes awry when the crewman ends up dead. Kirk, Spock, and Bones launch an investigation. They eventually discover that a shapeshifting alien disguised itself as Nancy and then several Enterprise crew members in a fight for survival. The creature is the last of its kind, but eventually they are forced to kill it after it threatens the lives of several crew members and Kirk himself.

The plot itself is relatively uninteresting. I think it could have been more compelling to watch if the show had been directed differently. The audience knows far more than the characters know. We’re shown early on that the alien presents itself differently to Bones, Kirk, and the doomed crewman so we know something’s up. We aren’t solving a mystery with our characters, we’re waiting for them to catch up to what we already know. The director’s already showed us the answer.

That’s a recipe for suspense rather than mystery, but I don’t think the suspense works for a modern audience. It’s hard to be truly concerned about the fate of any of these characters. We know Kirk, Bones, and Spock are all going to be fine though I supposed the original audience wouldn’t have the same assurance. It’s also become a well-known cliche that Star Trek would kill off otherwise unimportant crew members to heighten the stakes. Knowing this does a lot to dispel the illusion of danger. You can see the scriptwriter pulling the strings all too clearly.

Regardless, the first half of the episode mostly works. It’s a decent setup and there’s ample opportunity for the leads to interact and show off their character traits.

Kirk is a confident, charismatic leader who’s much less brash than pop culture’s collective memory has lead to me believe (granted, this is a tiny sample size). Bones is a soft-hearted, down-to-earth kind of guy. Spock demonstrates his perceptive intelligence and, of course, lack of overt emotion.

The episode falls apart in the second half, however.

There’s a hamfisted “moral” to the story. After being questioned, Robert Crater reveals that he’s known about the alien creature. It killed the real Nancy years ago, but since it was the last of its kind, he spared its life. He was content to let the creature play the part of Nancy as the next best thing. That’s super weird and creepy. Fortunately we aren’t given much time to think about that before Crater draws an absurd parallel between the creature and the buffalo.

This is really funny now. The concept of species extinction must not have been commonly known because the word “extinct” is never used. The show literally has to explain it to the audience and thus to the “enlightened” 23rd century crew. You’d think explorers might understand that already.

It doesn’t work as a parallel either. Buffalo (by which they mean American bison) aren’t extinct although it’s true that they were nearly hunted to extinction. It’s a touchpoint for the show’s audience, not for the show’s characters.

This is just like the buffalo

I guess there’s supposed to be a message about conservation or something in there? It feels incredibly tacked on. Still, this was an example of how Star Trek would at least attempt to highlight social, political, and environmental concerns even if it didn’t always work.

It’s also frustrating to watch our lead characters slowly catch on to what we already know. There’s a good scene where the ship’s officers are discussing what to do about the creature onboard and how they can find it. The creature is present at the meeting disguised as Bones. The real McCoy (ha!) was lured to sleep earlier by the alien in disguise as Nancy. I thought Kirk was catching on to fake Dr. McCoy in this scene. They kept cutting to his and Spock’s faces like they might know what’s up and I thought he was baiting the creature into revealing itself which would have been really clever.

Actually, Kirk behaves rather stupidly in the end. Spock is assaulted by the creature. He tells Kirk that the alien was disguised as Bones. Kirk rushes to Dr. McCoy’s quarters knowing that he’s likely to find the creature there. Like a moron, he goes with no backup (not even a red shirt) and he nearly gets killed because of it. He only lives because Spock conveniently shows up at the last second.

There are plenty of other silly details too. While it makes sense for a starship captain to lead the away team on diplomatic missions, it’s pretty silly that Kirk beams down with Bones and the crewman at the beginning for this “routine” medical mission. It would set a precedent for things to come – high-ranking officers regularly getting involved in mundane tasks that would spin out into larger adventures.

Given that this was a TV show, I’m impressed by the effects for the time. Just two years later, 2001: A Space Odyssey would blow away everything that had come before it in terms of convincing space travel special effects. But TV has a much more constrained budget than feature films – especially features by high-profile directors like Stanley Kubrick.

2001: A Space Odyssey came out two years after Star Trek’s premier featuring special effects that would not be eclipsed for decades

I hesitate to call the acting outright bad. It’s certainly dated. Sure, some of it seems outright poor. But acting sensibilities have changed a lot. Dramatic acting today tends to be a lot more naturalistic and subtle. I don’t think they were going for that back then.

Nevertheless, I like the lead actors in their roles. Nimoy is great and judging by this episode, he was great as Spock from the very start. DeForest Kelley is charming as Dr. McCoy which goes a long way for a character that seemed to provide so much of the show’s soul and humanity.

Whether William Shatner can act is somewhat controversial. I’ll simply say that he seems well cast and comes off as capable, and charismatic apart from the dumb decisions at the end of the episode. I like him in the role.

The Verdict

If nothing else, the characters are iconic for a reason

According to contemporary retrospectives, “The Man Trap” is one of the worst episodes of The Original Series. Dull and pointless as it was, I can still see why Star Trek became beloved. The Kirk/Spock/Bones dynamic really does work and, like I said at the outset, the concept of the show allows for all kinds of plots, characters, and themes to be explored.

If it’s true that most of TOS is better than this, I may give select episodes a watch, but I have no intention of going front-to-back through the show.

Unlike later series, TOS doesn’t have a ton of continuity to keep up with. I think its more episodic approach will allow me to pop in and out of the series at virtually any point and not be lost.

The episodic approach is a double-edged sword. On one hand, shows that don’t leverage continuity can feel weightless without significant consequences from one episode to the next or one season to the next. On the other hand, the serial approach necessitates viewers wade through most, if not all the previous canon, to get the most out of the show. That’s a high barrier to entry. We’ll talk about that next time.

LLAP

The Workshop #20 – Dank meme explorers

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Today’s episode isn’t actually about memes although we do mention a few like this one.

Also, behold the origin of the name “doge”! Yes, it’s more Homestar Runner, but that’s mostly incidental!

This episode is pretty much 50% fun and 50% serious. The fun half is about space. In the serious half, we discuss how we should respond to evil and hatred. Yeah, that’s pretty serious. We got so serious we really didn’t know how to end the show, but it was a discussion worth having.

I stole the intro music from these nerds and the outro music from here.

The State of Sci-fi Movies

2013 was a bad year for sci-fi. There were a lot of sci-fi films with potential that just didn’t pay off. I saw a few of them in the theater and none were really satisfying.

I went to see Oblivion because a group of friends was going and I like my friends more than I dislike Tom Cruise. And while I admire Oblivion’s restraint in the action and pacing departments, the script was riddled with the screenwriting equivalent of explosions: dumb, pointless plot twists. None of it made any sense but they were hoping the audience wouldn’t notice in the moment.

oblivion1
I wish this had been an Elder Scrolls movie instead. Also, the actress on the left looks like Chell from Portal. A Poral movie would have also been preferable.

Most of the group thought it was okay. A few thought it was boring and a few liked it outright. But I’m guessing that all of them have virtually forgotten about it now. I haven’t because I found it so offensively vapid and boring that it kind of stuck with me. That’s what you call ironic.

I had high hopes for the sequel to the 2009 semi-reboot of Star Trek. I cordially like the 2009 movie even though there’s not a lot going on under the surface, it still did a lot of things right.

I cannot say the same for Star Trek Into Darkness. I hated this one. I don’t mean to be a hater, but I can’t help it. Instead of a proper story (Star Trek-appropriate or otherwise) we got a set of action scenes, references to older, better Star Trek stuff, and Benedict Cumberbatch playing a character named Khan who wasn’t anything like Khan.

stid1
Borrowed pathos – this movie tries to invoke the feelings stirred by the best moments from old Star Trek and fails miserably

Into Darkness is bad on almost all non-technical levels. I have so many problems with this film that it’s not even worth going into. The screenwriters thought they were being clever by ripping off Star Trek II – the real Star Trek II. Sometimes reusing ideas works but here it just comes off as bad imitation. And it’s imitation without purpose or thought.

If I judge the movie on its own merits, it’s not very good. It’s shallow and empty and doesn’t do as much with the characters as Star Trek 2009 did. But if I judge it as part of the greater Star Trek canon (and the writers seem to be begging me to do this with their constant references and callbacks) then it’s a horrible, derivative mess. I left the theater offended and annoyed.

I had a passing interest in Elysium, the sophomore effort from District 9 director Neill Blomkamp, but I lost the interest as soon as I saw the trailer. Reviews and word-of-mouth affirmed my lack of interest. Detractors cite its heavy-handed political commentary as a negative. I have no problem – theoretically – with movies that borrow current political issues for themes, but I have rarely seen it done well. Subtly is the name of the game. In Elysium it was not subtle unless I was very deceived by the trailer and other commentators.

My biggest sci-fi hope for the year was Gravity. I already talked about that in another post. If anything, my feelings about the movie have further cooled since I’ve seen it. I really don’t care if I ever see it again. It had no story. I didn’t really even have ideas. It also failed to connect with me emotionally. It was just a ride. If I want that sort of experience, I’ll go play a video game where I have some level of input into what’s happening.

There’s quite a few smaller sci-fi films I didn’t see but I indent to. I fully admit it’s possible there was a really good sci-fi this year that slipped under the radar. But the big names disappointed.

Fortunately, 2014 will bring us some more sci-fi movies with potential. Hopefully more of these will turn out well.

Christopher Nolan’s longtime director of photography, Wally Pfister, is taking the reigns of his first movie. Transcendence starring Johnny Depp and Rebecca Hall is ostensibly about the technological singularity – a theoretical event where artificial intelligence surpasses human intelligence. This has been a plot point in a lot of fiction before, but Transcendence will attempt to guess what this might look like in the not-too-distant future of our modern world. Check out the trailer below.

Again, I don’t want to be a naysayer, but I am highly skeptical of the film industry’s ability to handle technology – and particularly artificial intelligence – in an interesting or remotely realistic way. It doesn’t happen very much.

I have two major problems with this trailer. One: the movie purports to be about the singularity but the plot actually seems to be centered around a character uploading his consciousness into a computer. That’s really not an exploration of superintelligent AI then, is it?

My bigger problem is that the whole thing seems to devolve into stupid action tropes by the end. There are lots of other ways an advanced AI would change the world besides causing lots of violence. We’ve seen computers go rogue before. The computer being evil twist has been done in countless other films. I was really hoping for something new and different.

I don’t have a problem with action movies – I really don’t. I have a problem with action films passing themselves off as something more intelligent when there’s really nothing to them. Why do so many sci-fis also have to be action movies? Why can’t they just be about ideas and characters and choices? Why can’t they be subtle and take their time anymore?

I really hope the trailer is just showing all the action to get people into the theater and that the movie itself is actually a lot more thoughtful than it appears here.

But I doubt it.

A bit more promising is the new X-men film: Days of Future Past. I’m cheating a little with this one. It’s probably more of a superhero film than a sci-fi, but since the plot revolves around time travel I’m going to say it’s close enough.

I really like this trailer a lot. Why? Because it’s about characters rather than action. I can sort of sense where the movie might be going, but I haven’t had the plot explained to me with clunky, pieced-together exposition. It makes me way more excited to see this movie than if it had just been a bunch of mutants fighting each other.

I always say X-men has the best central conflict of the big name superhero franchises. It’s great because our villain (Magneto) is right about human nature but his methods are morally wrong whereas our hero (Professor Xavier) is a bit overly optimistic – maybe a little naive – about humanity but his methods are morally admirable.

It’s easy to see how Xavier might have become jaded and hopeless after being betrayed by Magneto and crippled in X-men: First Class. It seems like it’s up to Patrick Stewart’s Professor X to redeem James McAvoy’s Professor X and restore sanity to the future. Or something like that.

The X-men film timeline is a bit of a mess right now. I’m not sure if they’re intending to fix that with a time travel story, but I like the idea of getting all these great actors in one movie.

And finally we have a sci-fi film from Christopher Nolan called Interstellar. Inception was arguably a sci-fi movie, but functionally it was more of a dressed-up heist film than anything else. This time around it looks like we’re going full science fiction – in space!

Interstellar is about… we’re not really sure yet. It’s a Christopher Nolan film and it’s a year away so details are scant. The teaser trailer provides very little information; in fact it’s mostly stock footage. Sadly, there is no space.

I’m up for a movie about interstellar travel and wormholes. Nolan’s films have been generally pretty grounded so it’ll be interesting to see how things go and what it’s all about.

Here’s hoping that 2014’s science fiction is more thoughtful than 2013’s!